ORDYH is a work that seeks connections between the surrounding natural spaces and the water everywhere around us. An ode to the present moment, the here and now, made with a body - flesh, fluids, emotions, everything that flows within us / within other bodies.
The ice is a fundamental element in ORDYH, as it embody the challenge with oneself, a process that leads to regaining the resilience of the self (once believed lost), and to fight that inner tangle, which, despite the fact that our body is composed of at least 50 % water, can become almost as heavy as a rock if left ripen for too long.

ORDYH is a moment in which two bodies, one warm and containing life and one completely frozen and lifeless, are related to each other to complete what might be named, in an intimate way, the "cancellation process": unavoidably, the warmth of the human body will slowly make disappear the ice mass. What will be left then?
The whole body is into play, starting from its flesh, finishing with its voice, integral part of this performance.

A body practice that which aims to create a palpable connection with the audience, challenging them to enter the performance with a simple but direct "action" proposal: break the ice.